I just need to put my arm around him that one time and take him away from that world. I think too many people are focused on him because of his sexuality. Once I get with Jussie, I’m going to show him what to do. Jussie is a star, too, but they got their arms around him. Which of Empire’s musical talents has the best chance to. It’s going to be something the urban community is gonna be like, “This is crazy. I can’t even describe it, but I know it’s going to be off the chain. We gotta do a show.” Then she said, “It’s the diary of a big bitch.” With her and Petey, do you understand what we gonna do. She was like, “You know I’m out here triiippin’, it is the life of a big bitch.” And I was like, ‘That’s it. I said, “Look at her talking, she’s a star.” This is how my visionary mind works. So, I got this girl that I met at TSA one time when I took a flight. No, it ain’t off the record, but it’s what’s about to come out. So what you’re about to tell me is off the record? ![]() ![]() I’mma tell you this, if you use this, I got confidentiality. I’ll give you a prime example: I want to put Petey with this girl for a show I wanna do. Petey is great at laughter, imitation, emotion, and connecting to that southern home. That’s really been his career, creating something to watch - not something to hear. It was a surprise to see Petey Pablo, the North Carolina rapper you broke with the 2001 hit “Raise Up,” appear on Empire. Lucious rapping is really like him talking and doing his role, not about him rapping … He shows you, I’m not a rapper, but guess what, you feel from the dialogue that it relates to you. “ Boom, boom, boom, boom / Bang, bang, bang, bang” - you’re talking about stuff like that. Do you ever cringe when you hear him deliver raps over your beats? Terrence Howard gets a lot of heat on social media for his raps delivered as Lucious Lyon. After all these years, Timbaland finally explains why he refuses to miss a beat. Mosley reveals his plans for a mixtape takeover, a new TV show about a “big bitch,” why Drake is like his son, what Missy should do with her comeback, and, of course, Empire. Aside from Timbo’s new role as Hollywood’s hitmaker, he has new memoir, The Emperor of Sound, wherein he offers a candid look at the life of the man before he became a hit machine. In its second season, Timbo continues to lay stellar tracks for a rambunctious cast, led by Terrence Howard (Lucious Lyon), who plays the diabolical head of a fictitious rap dynasty. Now, as the executive producer of music for Empire, he’s busy building another type of, well, empire. ![]() ![]() With his cyborg superpowers, the Virginia Beach native has provided the bounce to Jay Z’s “Big Pimpin’,” the groove to Justin Timberlake’s “Cry Me a River,” and his fidgety wall of sound to artists of all stripes (Missy Elliott, Britney Spears, Kanye West, and many more). One credible theory - okay, my own - maintains that he’s spent so much time connected to his ASR-10 sampling keyboard that the two have melded mainframes. When music moves him, his eyes bug out, his face turns cartoon-character elastic, and his body shifts in all directions. Chart-topping producer Timothy “Timbaland” Mosley has always been a bit of a showman.
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